Tracing the Visual Language of Raphael’s Circle to 1527 (Brill’s Studies in Intellectual History / Brill’s Studies on Art, Art History, and Intellectual History, 313/46)

Leiden/Boston, 2020, Brill. Cm. 24×16, pp.228, figg. 42 a colori n.t., ril. cartonato.
Alexis R. Culotta explores how the Renaissance masters recombination of visual sources ultimately served as a springboard for artistic innovation for his close associates as they collaborated in the years following Raphaels death.