The Exceptional Woman. Elisabeth Vigee– Lebrun & the Cultural Politics of Art

Chicago, 1996, University of Chicago press. Cm. 24×17, pp. 368, figg. in nero n.t., ril. con sovrac.

Elisabeth Vigee-Lebrun (1755-1842) was an enormously successful painter, a favourite portraitist of Marie-Antoinette, and one of the few women accepted into the Royal Academy of Painting and Sculpture. In accounts of her role as an artist, she was simultaneously flattered as a charming woman and vilified as monstrously unfeminine. In this work, Mary D. Sheriff uses Vigee-Lebrun’s career to explore the contradictory position of “woman-artist” in the moral, philosophical, professional and medical debates about women in 18th-century France. Paying particular attention to painted and textual self-portraits, Sheriff shows how Vigee-Lebrun’s images and memoirs undermined the assumptions about “woman” and the strictures imposed on women. Engaging ancien-regime philosophy, as well as modern feminism, psychoanalysis, literary theory and art criticism, Sheriff’s interpretations of Vigee-Lebrun’s paintings aim to challenge the reader into rethinking the work and the world of this controversial woman artist.